{"id":33117,"date":"2022-06-24T20:23:58","date_gmt":"2022-06-24T20:23:58","guid":{"rendered":"https:\/\/cjstudents.com\/?p=33117"},"modified":"2022-06-24T20:23:58","modified_gmt":"2022-06-24T20:23:58","slug":"the-top-20-rap-albums-of-all-time-as-determined-by-millions","status":"publish","type":"post","link":"https:\/\/cjstudents.com\/index.php\/2022\/06\/24\/the-top-20-rap-albums-of-all-time-as-determined-by-millions\/","title":{"rendered":"The Top 20 Rap Albums Of All-Time As Determined By Millions"},"content":{"rendered":"<p> [ad_1]<\/p>\n<div>\n<p>Earlier this month, the Hip-Hop community reacted to the latest high-profile lists ranking the greatest Rap albums of all time.\u00a0<em><span data-preserver-spaces=\"true\">Rolling Stone<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0magazine and a team of journalists and writers <a target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-hip-hop-albums-1323916\/\" rel=\"noopener\">ranked 200 Hip-Hop LPs<\/a>, prompting <a target=\"_blank\" href=\"https:\/\/pagesix.com\/2022\/06\/10\/angie-martinez-does-not-agree-with-rolling-stone-hip-hop-list\/\" rel=\"noopener\">plenty of reaction<\/a>. It was not the first list of this kind, and it certainly will not be the last.<\/span>\n<\/p>\n<p>In the latest episode of the\u00a0<a target=\"_blank\" href=\"https:\/\/anchor.fm\/whats-the-headline\" rel=\"noopener\"><em><span data-preserver-spaces=\"true\">What\u2019s The Headline<\/span><\/em><\/a><span data-preserver-spaces=\"true\">\u00a0podcast, the\u00a0<\/span><em><span data-preserver-spaces=\"true\">Ambrosia For Heads\u00a0<\/span><\/em><span data-preserver-spaces=\"true\">team discusses why lists exist and how the\u00a0<\/span><em><span data-preserver-spaces=\"true\">Ambrosia For Heads<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0staff <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/category\/finding-the-goat\/\" rel=\"noopener\">treated them differently<\/a>. If these definitive lists are truly intended opportunities to have conversations and (re)discover music,\u00a0<\/span><em><span data-preserver-spaces=\"true\">AFH<\/span><\/em><span data-preserver-spaces=\"true\"> deliberately <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2015\/09\/whats-the-greatest-hip-hop-album-of-all-time-you-decide-finding-the-goat-album-starts-monday\/\" rel=\"noopener\">created a tournament-style bracket in 2015 and 2016 that allowed polling from our millions of readers<\/a> (including the allowance of write-in votes for transparency and democracy). The podcast hosts begin the episode by discussing this approach, laying out our personal Top 10s of all-time, and then pointing back more than six years ago to what the\u00a0<\/span><em><span data-preserver-spaces=\"true\">Ambrosia For Heads<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0readers decided\u2014and why it may be a far more accurate account of Hip-Hop greatness than most rankings.<\/span>\n<\/p>\n<p>In addition to video and audio embeds, the Top 20 are ranked below (in reverse order)\u2014with some of the copy included at the time. In addition to the definitive \u201cSweet 16\u201d determined by the readers (ranked by final standing), this consists of the four closest margins to make it 20.\n<\/p>\n<p><iframe loading=\"lazy\" title=\"The Real Top 20 Rap Albums Of All-Time | What&#039;s The Headline #84\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/IOzdKDLNKpw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/anchor.fm\/whats-the-headline\/embed\/episodes\/The-Top-20-Rap-Albums-Of-All-Time-As-Determined-By-Millions-Of-Fans-e1k6qq1\" width=\"560px\" height=\"102px\" frameborder=\"0\" scrolling=\"no\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\"\/><\/iframe>\n<\/p>\n<p>The time codes for episode #84 of the <a target=\"_blank\" href=\"https:\/\/anchor.fm\/whats-the-headline\" rel=\"noopener\"><em>What\u2019s The Headline<\/em><\/a> podcast (with hyperlinks to skip around):\n<\/p>\n<p><a target=\"_blank\" class=\"yt-simple-endpoint style-scope yt-formatted-string\" dir=\"auto\" spellcheck=\"false\" href=\"https:\/\/www.youtube.com\/watch?v=IOzdKDLNKpw&amp;t=0s\" rel=\"noopener\">0:00<\/a><span class=\"style-scope yt-formatted-string\" dir=\"auto\"> Intro <\/span><br \/><a target=\"_blank\" class=\"yt-simple-endpoint style-scope yt-formatted-string\" dir=\"auto\" spellcheck=\"false\" href=\"https:\/\/www.youtube.com\/watch?v=IOzdKDLNKpw&amp;t=80s\" rel=\"noopener\">1:20<\/a><span class=\"style-scope yt-formatted-string\" dir=\"auto\"><em> Rolling Stone<\/em> <a target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-hip-hop-albums-1323916\/epmd-strictly-business-1988-1352325\/\" rel=\"noopener\">released a very controversial list of the Top 200 Rap Albums of All-Time<\/a> <\/span><br \/><a target=\"_blank\" class=\"yt-simple-endpoint style-scope yt-formatted-string\" dir=\"auto\" spellcheck=\"false\" href=\"https:\/\/www.youtube.com\/watch?v=IOzdKDLNKpw&amp;t=410s\" rel=\"noopener\">6:50<\/a><span class=\"style-scope yt-formatted-string\" dir=\"auto\"> Why people care about lists <\/span><br \/><a target=\"_blank\" class=\"yt-simple-endpoint style-scope yt-formatted-string\" dir=\"auto\" spellcheck=\"false\" href=\"https:\/\/www.youtube.com\/watch?v=IOzdKDLNKpw&amp;t=655s\" rel=\"noopener\">10:55<\/a><span class=\"style-scope yt-formatted-string\" dir=\"auto\"><em> Ambrosia For Heads<\/em> has hosted a number of competitions where millions of fans decided the greatest of all-time\u2014<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2015\/05\/what-makes-eminem-the-goat-to-so-many\/\" rel=\"noopener\">MC<\/a>, <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2015\/09\/whats-the-greatest-hip-hop-album-of-all-time-you-decide-finding-the-goat-album-starts-monday\/\" rel=\"noopener\">Album<\/a>, <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2017\/03\/goat-hip-hop-producer-the-final-battle-dj-premier-vs-j-dilla\/\" rel=\"noopener\">Producer<\/a>, <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2018\/09\/wu-tang-clan-greatest-hiphop-group\/\" rel=\"noopener\">Group<\/a><br \/><\/span><a target=\"_blank\" class=\"yt-simple-endpoint style-scope yt-formatted-string\" dir=\"auto\" spellcheck=\"false\" href=\"https:\/\/www.youtube.com\/watch?v=IOzdKDLNKpw&amp;t=1260s\" rel=\"noopener\">21:00<\/a><span class=\"style-scope yt-formatted-string\" dir=\"auto\"> Why <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=ODvIE9PsNPo\" rel=\"noopener\">are women not given their proper respect as MCs<\/a> <\/span><br \/><a target=\"_blank\" class=\"yt-simple-endpoint style-scope yt-formatted-string\" dir=\"auto\" spellcheck=\"false\" href=\"https:\/\/www.youtube.com\/watch?v=IOzdKDLNKpw&amp;t=1380s\" rel=\"noopener\">23:00<\/a><span class=\"style-scope yt-formatted-string\" dir=\"auto\"> Discussing some of the more questionable <em>Rolling Stone<\/em> rankings<br \/><\/span><a target=\"_blank\" class=\"yt-simple-endpoint style-scope yt-formatted-string\" dir=\"auto\" spellcheck=\"false\" href=\"https:\/\/www.youtube.com\/watch?v=IOzdKDLNKpw&amp;t=1640s\" rel=\"noopener\">27:20<\/a><span class=\"style-scope yt-formatted-string\" dir=\"auto\"> Our personal lists of the Top 10 Rap Albums Of All-Time <\/span><br \/><a target=\"_blank\" class=\"yt-simple-endpoint style-scope yt-formatted-string\" dir=\"auto\" spellcheck=\"false\" href=\"https:\/\/www.youtube.com\/watch?v=IOzdKDLNKpw&amp;t=4662s\" rel=\"noopener\">1:17:42<\/a><span class=\"style-scope yt-formatted-string\" dir=\"auto\"> The Top 20 Rap Albums Of All-Time as decided by millions of <em>AFH<\/em> readers <\/span><br \/><a target=\"_blank\" class=\"yt-simple-endpoint style-scope yt-formatted-string\" dir=\"auto\" spellcheck=\"false\" href=\"https:\/\/www.youtube.com\/watch?v=IOzdKDLNKpw&amp;t=5990s\" rel=\"noopener\">1:39:50<\/a><span class=\"style-scope yt-formatted-string\" dir=\"auto\"> Drake and Logic released new album this week<\/span>\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/n-w-a-s-straight-outta-compton-vs-kendrick-lamars-good-kid-m-a-a-d-city-which-is-better\/\" rel=\"noopener\">#20<\/a> \u2013 Kendrick Lamar \u2013 <em>good kid, m.A.A.d<\/em> city<br \/><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/n-w-a-s-straight-outta-compton-vs-kendrick-lamars-good-kid-m-a-a-d-city-which-is-better\/\" rel=\"noopener\">Lost to N.W.A.\u2019s <em>Straight Outta Compton<\/em><\/a>, 41% to 59%)\n<\/p>\n<p>Kendrick Lamar\u2019s\u00a0<em><span data-preserver-spaces=\"true\">good kid, m.A.A.d city<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0proved that Kendrick\u2019s formula as an independent was wildly intact as a chart-soaring platinum act. The themes, the guests, and the sound of Kendrick Lamar were unscathed. However, the focus, refinement, and brilliant execution of concept were refined\u2014whether due to artistic maturity, or the enhanced world surrounding the MC. While Kendrick Duckworth had two acclaimed (and charting) albums already under his belt,\u00a0<\/span><em><span data-preserver-spaces=\"true\">good kid\u2026<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0played like a debut. The 24-year-old returned to his childhood, family dynamics, and Hub City to find a detailed world of circumstances.\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=HzPzwnyWsNs\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cThe Art Of Peer Pressure\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0was a charged ride-along with adolescents doing bad at\u00a0<\/span><em><span data-preserver-spaces=\"true\">extremely<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0high stakes.\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=jcUFbU9bxdk&amp;index=7&amp;list=PLIen3IPVo_U1MwbZen4ne2I8CDcKy9lCk\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cGood Kid\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0and\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=O4ymPrV-02M&amp;list=PLIen3IPVo_U1MwbZen4ne2I8CDcKy9lCk&amp;index=8\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cm.A.A.d city\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0were one-two punches on the juxtaposition of a highly observant,\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/ambrosiaforheads.com\/2015\/12\/kendrick-lamar-pens-open-letter-expressing-why-he-feels-chosen-to-lead\/\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cchosen\u201d prodigy<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0living in a world where street gangs, hard drugs, and survival rule. Kendrick Lamar did not describe a world that delivered him. Instead, his beats, cadences, and angst kidnapped the listener to Rosecrans Avenue, fed \u2019em a Tam\u2019s Burger, and tucked their chain in. Just as he\u2019d done on the last album, Lamar showed that while the rest of the world was evolving, the C-P-T was still as Darwinist as any ecosystem in the world.\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=O0ZBnt6ZWdQ&amp;index=10&amp;list=PLIen3IPVo_U1MwbZen4ne2I8CDcKy9lCk\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cSing About Me, I\u2019m Dying Of Thirst\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0presented a Jazz-savvy poet, who rhymed with intellect and sincerity. However, even if the TDE star seemed like an artist unwilling to deliver lighthearted music,\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=8-ejyHzz3XE\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cSwimming Pools\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0would charm DJs with elements of Screw, EDM, and Trap\u2014never shunning sophisticated flows or substance. In one captivating brush stroke, <\/span><em><span data-preserver-spaces=\"true\">good kid, m.A.A.d city<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0explained just who Kendrick Lamar was.<\/span>\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/02\/boogie-down-productions-criminal-minded-vs-ghostface-killahs-supreme-clientele-which-is-better\/\" rel=\"noopener\">#19<\/a> \u2013 Boogie Down Productions \u2013 <em>Criminal Minded<\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/02\/boogie-down-productions-criminal-minded-vs-ghostface-killahs-supreme-clientele-which-is-better\/\" rel=\"noopener\">Lost to Ghostface Killah\u2019s <em>Supreme Clientele<\/em>, 46% to 54%<\/a>)\n<\/p>\n<p>Boogie Down Productions was a wrecking ball to the perceived confines of what Hip-Hop could be. KRS-One and DJ Scott La Rock masterfully (and unpretentiously) combined book smarts with street smarts.\u00a0<a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=lM77h4D4Yh0\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cPoetry\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0was literally and symbolically book-ended with\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=9UAa3uPKGO4\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cCriminal Minded,\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0as a formerly homeless teen had risen to \u201cteacha\u201d status alongside his real-life mentor. In New York City, B.D.P. was rushing stages with a confidence and a commanding live show. That brilliantly translated to wax, as\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=vsrOy32nJdI\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cSouth Bronx\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0and\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=8csxCThXRII\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cThe Bridge Is Over\u201d\u00a0<\/span><\/a><span data-preserver-spaces=\"true\">were not only defending Hip-Hop\u2019s history in real-time but laying out the offensive strategy for its biggest musical clash to date. As\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=2TN-kDEKxF0\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Rakim<\/span><\/a><span data-preserver-spaces=\"true\">,\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=YcySFNgL_Hk\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Big Daddy Kane<\/span><\/a><span data-preserver-spaces=\"true\">, and\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=T31wEcShCA0\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Kool G Rap<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0showed the culture\u2019s artistic fertility in other boroughs,\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/itunes.apple.com\/us\/album\/criminal-minded\/id323198288\" rel=\"noopener\"><em><span data-preserver-spaces=\"true\">Criminal Minded<\/span><\/em><\/a><span data-preserver-spaces=\"true\">\u00a0reminded all that the Bronx was where it started. <\/span><em><span data-preserver-spaces=\"true\">Criminal Minded<\/span><\/em><span data-preserver-spaces=\"true\">, with its weapon-themed cover, packed a new brand of jacketed Rap ammunition. This LP blended violence (<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=fcYY6xwwfCE\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201c9MM Goes Bang\u201d<\/span><\/a><span data-preserver-spaces=\"true\">), sex (<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=3HwWwVT3B5U\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cRemix For The P Is Free\u201d<\/span><\/a><span data-preserver-spaces=\"true\">), and straightforward songs about Rap (<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=7rUbBZAsmH4\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cDope Beat\u201d<\/span><\/a><span data-preserver-spaces=\"true\">), all with heavy substance intertwined. <\/span><span data-preserver-spaces=\"true\">Although KRS-One would shun promoting combat in music (<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"http:\/\/www.xxlmag.com\/news\/2010\/08\/rip-scott-la-rock-remembering-the-bdp-legend-23-years-later\/\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Scott La Rock was murdered just after\u00a0<\/span><em><span data-preserver-spaces=\"true\">Criminal Minded\u00a0<\/span><\/em><span data-preserver-spaces=\"true\">was released<\/span><\/a><span data-preserver-spaces=\"true\">), he balanced virtue and vice as effectively as any MC since.\u00a0<\/span><em><span data-preserver-spaces=\"true\">Criminal Minded<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0presented an audiophile\u2019s approach to music-making. This album brought the energy of the streets into the clubs, with an attitude that oozed Hip-Hop bravado and style.<\/span>\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/02\/de-la-souls-3-feet-high-and-rising-vs-madvillains-madvillainy-which-is-better\/\" rel=\"noopener\">#18<\/a> \u2013 De La Soul \u2013 <em>3 Feet High And Rising<\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/02\/de-la-souls-3-feet-high-and-rising-vs-madvillains-madvillainy-which-is-better\/\" rel=\"noopener\">Lost to Madvillain\u2019s <em>Madvillainy<\/em>, 47% to 53%<\/a>)\n<\/p>\n<p>Through their 1989 debut album, De La Soul expanded the creative walls of Hip-Hop. Posdnuos, Trugoy The Dove, and Maseo spoke in an abstract language. They made songs that were much more Dr. Seuss than Donald Goines. Yet,\u00a0<em><span data-preserver-spaces=\"true\">3 Feet High And Rising<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0was unafraid to tackle sex, poverty, drug addiction, and angst\u2014even if the laymen missed it. The De La trio operated a way that existed on several frequencies. For those simply looking for musical escape, Prince Paul\u2019s mosaic samples, veering from\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=-nRbshhBUwc\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Parliament<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0to\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=ccenFp_3kq8\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Hall &amp; Oates<\/span><\/a><span data-preserver-spaces=\"true\">,\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=OsHSmGokj14\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Steely Dan<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0to\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=aU4pyiB-kq0\" rel=\"noopener\"><em><span data-preserver-spaces=\"true\">Schoolhouse Rock<\/span><\/em><\/a><span data-preserver-spaces=\"true\">\u00a0was a spaceship. For Heads looking for social commentary presented through inventive songwriting and skillful verse, DA Inner Soul Y\u2019all had it locked. <\/span><span data-preserver-spaces=\"true\">Few 1980s LPs are as emphatically\u00a0<\/span><em><span data-preserver-spaces=\"true\">album-like<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0as\u00a0<\/span><em><span data-preserver-spaces=\"true\">3 Feet\u2026<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0With the skits and sequencing, the Long Islanders made a work that challenged hit-seekers and distracted listeners alike. Although the masterfully cohesive LP is a sum of many parts, its singles still succeeded.\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=6L2sPF9YZOg\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cBuddy\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0was the perfect companion\/sequel to\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=FUmHpBbYHXg\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Jungle Brothers\u2019 \u201cJimbrowski,\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0as\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=Me5uEsbX9eU\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cEye Know\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0was one of the more complex, and realistic accounts of pining courtship. Few outfits in the group-driven \u201980s had two MCs cooperating as well as Plug 1 and Plug 2. This pair never upstaged one another\u2014a truism of the next 25 years. Instead, they enhanced each other\u2019s verses. At a time when Hip-Hop was in puberty, De La Soul\u2019s debut album drew from life\u2019s wonder years, honing in on the imagery, the innocence (and loss of), and the many joys of growing up.<\/span>\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/02\/jay-zs-the-blueprint-vs-kanye-wests-the-college-dropout-which-is-better\/\" rel=\"noopener\">#17<\/a> \u2013 Kanye West \u2013 <em>The College Dropout<\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/02\/jay-zs-the-blueprint-vs-kanye-wests-the-college-dropout-which-is-better\/\" rel=\"noopener\">Lost to JAY-Z\u2019s <em>The Blueprint<\/em>, 49% to 51%<\/a>)\n<\/p>\n<p>Kanye West\u2019s\u00a0<em><span data-preserver-spaces=\"true\">The College Dropout<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0was a sonic amusement park of true-school (or \u201cbackpack\u201d) inspiration, as well as the champagne sounds of the Rap elite. With these two worlds colliding, Kanye West\u2019s multi-platinum debut would inform the next dozen years that good music is really just about getting out one\u2019s musical dreams. <\/span><span data-preserver-spaces=\"true\">More than just an idea, Kanye West represented a hunger story.\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=uvb-1wjAtk4\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cThrough The Wire\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0told the tale of West\u2019s undying dream to make his mother proud. Even confronted with a near-death accident and a forever-changed mandible, Mr. West could not be barred. The producer\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=ymuWb8xtCsc\" rel=\"noopener\"><span data-preserver-spaces=\"true\">let the Chaka Khan vinyl croon<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0while he convincingly stated his higher plan.\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=JgtZHXEmvFQ\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cNever Let Me Down\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0did the same, as Kanye owned the moment with his mentor, Jay. Not just his own rags-to-riches trajectory, Kanye emphatically used the moment to trace his lineage through facing racism to embracing leadership. Although he saw himself as an underdog, \u2018Ye also identified with the top of the class. <\/span><span data-preserver-spaces=\"true\">The artist was not a contradiction as much as a complexity. The same artist who could preach from the pulpit on\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=MYF7H_fpc-g\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cJesus Walks\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0could set the mood in\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=hrMrqBcv6Mk\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cSlow Jamz.\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=wGM6N0qXeu4\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cSpaceship\u201d\u00a0<\/span><\/a><span data-preserver-spaces=\"true\">was the inward struggle to make it, while\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=oNVbFQHf9L8\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cFamily Business\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0was a touching tracking shot through the cookout reunion.\u00a0<\/span><em><span data-preserver-spaces=\"true\">College Dropout<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0forecast the rest of the 2000s, in showing artists they could be many things at once. Most importantly, the album increased the musicality to mainstream Hip-Hop. From the samples, to the arrangements, to the dynamic subject matters, the temperamental kid from the Windy City breathed freshness all over the art form.<\/span>\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/madvillains-madvillainy-vs-a-tribe-called-quests-midnight-marauders-which-is-better\/\" rel=\"noopener\">#16<\/a> \u2013 Madvillain \u2013 <em>Madvillainy<\/em> <\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/madvillains-madvillainy-vs-a-tribe-called-quests-midnight-marauders-which-is-better\/\" rel=\"noopener\">Lost to A Tribe Called Quest\u2019s <em>Midnight Marauders<\/em>, 35% to 65%<\/a>)\n<\/p>\n<p>In the early 2000s, MF DOOM was very much a dope-MC-for-hire. Madlib and Stones Throw Records became worthy suitors. <span data-preserver-spaces=\"true\">Although the album may have had modest beginnings, the synergy between the two reclusive artists cultivated new career pathways for each.\u00a0<\/span><em><span data-preserver-spaces=\"true\">Madvillainy<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0was a tremendous merging of two esteemed talents, who celebrated ignoring convention. Despite the whimsicality, they made a remarkably soulful LP. Behind the dusty loops and drenched lyrics is an album that\u2019s become a hallmark to each artist, a label, and a redefined Underground Hip-Hop movement in the mid-2000s. Twenty-two tracks deep, Madvillain\u2019s lone studio album is a sum of small movements. With most songs two minutes long, this album combated the trends of the mainstream in all ways, despite its surprisingly large (eventual) profile. Songs like\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=rpaonSDPw7Y\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cAccordion\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0played like a profound interlude. MF DOOM, hitting the pocket of Madlib\u2019s quirky beat, blended cartoon references with brief allusions to his own mortality. Like Metal Face DOOM or\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=9P09cBHAf0c\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Quasimoto<\/span><\/a><span data-preserver-spaces=\"true\">, Madvillain stood as a character of the pair\u2019s concoction. <\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=fh9jZ9pPeHg\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cFigaro\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0put DOOM in a sound that was wildly different than his own productions. As a 15-year vet was rising the ranks of MC lists, the complex rhythms of Madlib proved to be a combine drill of skill.\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=NYpXwlGT7XE\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cFancy Clown\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0was a no-laughing-matter break-up track. DOOM spoke from within emotionally, as the producer made the song cry\u2014literally. <\/span><em><span data-preserver-spaces=\"true\">Madvillainy<\/span><\/em><span data-preserver-spaces=\"true\"> may be Madlib\u2019s most intensive workshop. This unlikely pair, acting upon\u00a0<\/span><em><span data-preserver-spaces=\"true\">Madvillainy<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0as an experimental one-off, would make career-defining chemistry together\u2014a bomb in the shelter.<\/span>\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/eminems-the-marshall-mathers-lp-vs-raekwons-only-built-4-cuban-linx-which-is-better\/\" rel=\"noopener\">#15<\/a> \u2013 Eminem \u2013 <em>The Marshall Mathers LP<\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/eminems-the-marshall-mathers-lp-vs-raekwons-only-built-4-cuban-linx-which-is-better\/\" rel=\"noopener\">Lost to Raekwon\u2019s <em>Only Built 4 Cuban Linx\u2026<\/em>, 36% to 64%<\/a>)\n<\/p>\n<p>Before the new millennium, Eminem rode a rocket ship to the top of the charts\u00a0<em><span data-preserver-spaces=\"true\">and<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0the elite class of MCs through\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/itunes.apple.com\/us\/album\/the-slim-shady-lp\/id658612731\" rel=\"noopener\"><em><span data-preserver-spaces=\"true\">The Slim Shady LP<\/span><\/em><\/a><span data-preserver-spaces=\"true\">. The lyrically progressive album was big on pranks, sophomoric humor, and fork-tongued fun. <\/span><span data-preserver-spaces=\"true\">One year later, Eminem refined his approach. This album looked more inward at the man behind the act.\u00a0<\/span><em><span data-preserver-spaces=\"true\">The Marshall Mathers LP<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0would still make a mockery out of popular culture, but in between the jagged lines revealed the profane and the profound alike. Underneath the clown makeup was a creative genius, and a tormented soul\u2014who wanted no sympathy from anyone. This is the album that proved Eminem had incredible staying power. <\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=mQvteoFiMlg\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cThe Way I Am\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0was Eminem\u2019s essay to fame. Rather than accept the misunderstandings, Marshall nipped them right in the bud. The song was a piercingly honest attack at his media portrayal and asserted that Hip-Hop was not responsible for massacres like Columbine and the like. Em\u2019 was tackling bigger issues rather than poking fun at pop-tarts (which he still would do on\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=eJO5HU_7_1w\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cReal Slim Shady\u201d<\/span><\/a><span data-preserver-spaces=\"true\">).\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=DO1fTen5uqo\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cMarshall Mathers\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0was a lucid commentary on the music stars and white MCs to whom Eminem was mistakenly compared. The scathing remarks were closer to the heart than past antics. <\/span><span data-preserver-spaces=\"true\">Suddenly, Em\u2019 transformed from Don Rickles to Lenny Bruce, with some insightful\u00a0<\/span><em><span data-preserver-spaces=\"true\">and<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0derogatory thoughts of the world we all shared. \u201cStan\u201d would be a masterpiece within\u00a0<\/span><em><span data-preserver-spaces=\"true\">M.M.L.P.<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0 The record burred the lines in Hip-Hop and Pop, singing and rapping\u2014at a time when those walls towered. The third album from the D12 front man would provide his fullest, most compelling production. <\/span><em><span data-preserver-spaces=\"true\">The Marshall Mathers LP<\/span><\/em><span data-preserver-spaces=\"true\"> is a stone in the sand.<br \/><\/span>\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/public-enemys-it-takes-a-nation-of-millions-to-hold-us-back-vs-n-w-a-s-straight-outta-compton-which-is-better\/\" rel=\"noopener\">#14<\/a> \u2013 N.W.A. \u2013 <em>Straight Outta Compton<\/em> <\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/public-enemys-it-takes-a-nation-of-millions-to-hold-us-back-vs-n-w-a-s-straight-outta-compton-which-is-better\/\" rel=\"noopener\">Lost to Public Enemy\u2019s <em>It Takes A Nation Of Millions To Hold Us Back<\/em>, 39% to 61%<\/a>)\n<\/p>\n<p>\u201cThe World\u2019s Most Dangerous Group\u201d took Gangsta Rap to a new plateau with 1988\u2019s\u00a0<em><span data-preserver-spaces=\"true\">Straight Outta Compton<\/span><\/em><span data-preserver-spaces=\"true\">. N.W.A. (the working name for Ni**az Wit\u2019 Attitude) accomplished plenty with their group debut. Eazy-E, Dr. Dre, Ice Cube, and MC Ren spoke out against systematic oppression\u2014in\u00a0<\/span><em><span data-preserver-spaces=\"true\">their<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0lexicon with\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=9jOqOlETcRU\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cF*ck Tha Police.\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0Meanwhile, the sextet (counting DJ Yella and Arabian Prince, as on the album cover) urged First Amendment rights too on<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=u31FO_4d9TY\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u00a0\u201cExpress Yourself.\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0But not everything on the Ruthless Records debut had a deeper meaning. N.W.A. celebrated simply pissing off the moral majority on\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=KHaOul8gVVc\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cGangsta, Gangsta\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0and gave a firsthand account of a drug dealer\u2019s perspective on\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=wPlrN-Sg800\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cDopeman (Remix).\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0The world (read: Compton) seemed to have a different set of circumstances and codes than much of election-year America.\u00a0<\/span><em><span data-preserver-spaces=\"true\">Straight Outta Compton<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0became a subversive op-ed to those living comfortably numb to the ghetto reality. The Ruthless Records LP <\/span><span data-preserver-spaces=\"true\">endures not just because of what it said, but how it said it. N.W.A. was an arsenal of talent on the microphone, with Cube\u2019s between-the-ribs jabs of hard truth, Ren\u2019s ability to flip words in an unbreakable stride, and Eazy\u2019s constant playing to the audience. Dre was far from a slouch on the mic himself, though he and Yella arranged sounds in an unrivaled complexity for Hip-Hop. For as brash as N.W.A. may have seemed, the group showed a perfectionist dedication to their art. For those who related to N.W.A.\u2019s world,\u00a0<\/span><em><span data-preserver-spaces=\"true\">Straight Outta Compton<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0was a cathartic investigative report. For those who found the album to be thrilling awakening, the group packed the substance of\u00a0<\/span><span data-preserver-spaces=\"true\">Bob Dylan<\/span><span data-preserver-spaces=\"true\">, with the \u201cF.U.\u201d flare of\u00a0<\/span><span data-preserver-spaces=\"true\">Guns N\u2019 Roses<\/span><span data-preserver-spaces=\"true\">. This album put five men, a city, and a way of life through music on the map.<\/span>\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/the-notorious-b-i-g-s-ready-to-die-vs-jay-zs-the-blueprint-which-is-better\/\" rel=\"noopener\">#13<\/a> \u2013 JAY-Z \u2013 <em>The Blueprint<\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/the-notorious-b-i-g-s-ready-to-die-vs-jay-zs-the-blueprint-which-is-better\/\" rel=\"noopener\">Lost to The Notorious B.I.G.\u2019s <em>Ready To Die<\/em>, 22% to 78%<\/a>)\n<\/p>\n<p>In late 2001, JAY-Z was unabashedly jockeying for Hip-Hop\u2019s top spot. An artist with ties to The Notorious B.I.G. and Tupac (in very different ways), Jay aimed to own the #1 spot squarely. One of the most poised peers,\u00a0<a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=gOMhN-hfMtY\" rel=\"noopener\">Eminem<\/a>, was a producer and lone guest MC on the album. The other contender,\u00a0<a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=JCOURZ-yx4E\" rel=\"noopener\">Nas<\/a>, was in Jay\u2019s cross-hairs of high profile usurp,\u00a0<a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=FAnGnevKxJE\" rel=\"noopener\">\u201cThe Takeover.\u201d<\/a>\u00a0On\u00a0<em>The Blueprint<\/em>, JAY-Z reinvented his sound. The Roc-A-Fella Records co-founder found the ultimate five-year progression from debut\u00a0<a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/ambrosiaforheads.com\/2015\/12\/jay-zs-reasonable-doubt-vs-ice-cubes-death-certificate-which-is-better\/\" rel=\"noopener\"><em>Reasonable Doubt<\/em><\/a>. With a D-boy\u2019s confidence and an exec\u2019s get-it-done mentality, Jay pivoted to his 2000s stand as a Rap magnate. Often criticized for his resistance to vulnerability, Jay let the songs cry on his behalf. As the Roc Boy was lunging for the top, he made some of his most relatable music.\u00a0<a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=JDNNx6Gdqw0\" rel=\"noopener\">\u201cU Don\u2019t Know\u201d<\/a>\u00a0was the ringside celebration after the fight. Once dismissed as a drug-dealer MC, JAY-Z used cold Just Blaze production to show his Michael Corleone-like rise from New York crimes to\u00a0<em>The New York Times<\/em>. The title track would also prove significant. The cold exterior of Hov gave way to an MC unafraid to not only acknowledge pain in his childhood but say\u00a0<em>thank you<\/em>\u00a0to his circle. That and\u00a0<a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=w5srnNrICJo\" rel=\"noopener\">\u201cSong Cry\u201d<\/a>\u00a0were hyper-aware reactions to Jay\u2019s often lack of intimacy in songs. Together, the Roc\u2019s in-house hit-makers of \u2018Ye, Just, and BINK! made an album that may as well have been produced by one set of ears. The prominence of Soul, intricate chops, and broad instrumentation made this man\u2019s words sound like prophecy.\u00a0<a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=VIaBx_2AzTk\" rel=\"noopener\">\u201cRenegade\u201d<\/a>\u00a0placed Jay and Eminem back-to-back, with a song that put the comparisons in the backseat and the lyrically-dense message in the front.\u00a0<em>The Blueprint<\/em>\u00a0cemented Jay\u2019s status at pole position, showing how a great MC and a gripping story still benefits from patience and refinement. In the Hip-Hop landscape,\u00a0<em>The Blueprint<\/em>\u00a0is a skyscraper.\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/dr-dres-the-chronic-vs-ice-cubes-death-certificate-which-is-better\/\" rel=\"noopener\">#12<\/a> \u2013 Ice Cube \u2013 <em>Death Certificate <\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/dr-dres-the-chronic-vs-ice-cubes-death-certificate-which-is-better\/\" rel=\"noopener\">Lost to Dr. Dre\u2019s <em>The Chronic<\/em>, 38% to 62%)<\/a>\n<\/p>\n<p>For those starving for the Ice Cube they heard on\u00a0<a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/itunes.apple.com\/us\/album\/straight-outta-compton-expanded\/id723478251\" rel=\"noopener\"><em><span data-preserver-spaces=\"true\">Straight Outta Compton<\/span><\/em><\/a><span data-preserver-spaces=\"true\">,\u00a0<\/span><em><span data-preserver-spaces=\"true\">Death Certificate\u00a0<\/span><\/em><span data-preserver-spaces=\"true\">signed a new lease on life. Following 1990\u2019s\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/itunes.apple.com\/us\/album\/amerikkkas-most-wanted\/id1005221529\" rel=\"noopener\"><em><span data-preserver-spaces=\"true\">AmeriKKKa\u2019s Most Wanted<\/span><\/em><\/a><span data-preserver-spaces=\"true\">, a highly-acclaimed album recorded in New York City with The Bomb Squad at the helm, Ice Cube was back in his element, completely. Three months after\u00a0<\/span><em><span data-preserver-spaces=\"true\">Boyz N Tha Hood<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0rocked theaters, Cube presented the audio companion to a cinematic look at life in South Central. Already a star, the MC checked his wealth and status at the door. Instead, O\u2019Shea Jackson put himself in the shoes of an out-of-town drug dealer (<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=EH9V4BeLX3U\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cMy Summer Vacation\u201d<\/span><\/a><span data-preserver-spaces=\"true\">), a visitor to the clinic (<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=YuSX0bq7wBs\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cLook Who\u2019s Burnin&#8217;\u201d<\/span><\/a><span data-preserver-spaces=\"true\">), and a disenfranchised youth being followed around the stores he patronized (<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=iFwA0UwnuS8\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cBlack Korea\u201d<\/span><\/a><span data-preserver-spaces=\"true\">). Almost all of\u00a0<\/span><em><span data-preserver-spaces=\"true\">Death Certificate<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0is angry, unapologetic, and raw, but it is unarguably honest. Cube was still buckin\u2019 shots at law enforcement and weaving in Rodney King. He criticized Black men with white women (<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=r_zSt-qQfn4\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cTrue To The Game\u201d<\/span><\/a><span data-preserver-spaces=\"true\">), and white men misusing Black women (<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=9bdhaXShyRE\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cHorny Lil\u2019 Devil\u201d<\/span><\/a><span data-preserver-spaces=\"true\">). Race and society, as perceived between the furrowed brow of the N.W.A. co-founder drove the way. <\/span><span data-preserver-spaces=\"true\">Cube, such a rhythmic and commanding MC, lived between the wide grooves of Funk elements and bass drums\u2014courtesy of Sir Jinx, DJ Pooh, and Bobcat.<\/span><span data-preserver-spaces=\"true\"> In between the bigger points, Cube could still unabashedly make novelty and porno Rap, and do it as well as anybody\u2014including his former band-mates. After not directly addressing N.W.A. on the previous LP,\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=bvRc7pwnt0U\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cNo Vaseline\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0would close out\u00a0<\/span><em><span data-preserver-spaces=\"true\">Death Certificate<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0as perhaps the most cutthroat diss record not only of its era, but\u00a0<\/span><em><span data-preserver-spaces=\"true\">all time<\/span><\/em><span data-preserver-spaces=\"true\">. Bottled up feelings reacted to\u00a0<\/span><em><span data-preserver-spaces=\"true\">N*ggaz4Life<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0in a way where one man appeared to take on four, and come out untouched. <\/span><span data-preserver-spaces=\"true\">Adamant that he was not trying to be a role-model, the Rap superstar was clearly reaching the mass audience with his emphatic deliveries and strong opinions. Before such terms existed, especially in the Hip-Hop space,\u00a0<\/span><em><span data-preserver-spaces=\"true\">Death Certificate\u00a0<\/span><\/em><span data-preserver-spaces=\"true\">showed how deeply Ice Cube understood his brand, and how to best leverage it.<\/span>\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/nas-illmatic-vs-ghostface-killahs-supreme-clientele-which-is-better\/\" rel=\"noopener\">#11<\/a> \u2013 Ghostface Killah \u2013 <em>Supreme Clientele <\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/nas-illmatic-vs-ghostface-killahs-supreme-clientele-which-is-better\/\" rel=\"noopener\">Lost to Nas\u2019 <em>Illmatic<\/em>, 19% to 81%)<\/a>\n<\/p>\n<p>While the 1990s elicit great debate surrounding the greatest Wu-Tang Clan member solo works, Ghostface Killah threw a dart straight for the bull\u2019s eye in Y2K. <em>Supreme Clientele <\/em>closely followed 1996\u2019s <em><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2015\/12\/ghostface-killahs-ironman-vs-raekwons-only-built-4-cuban-linx-which-is-better\/\" rel=\"noopener\">Ironman<\/a><\/em> with the swagger of a fighter already wearing the belt. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=C_GUIDOnbII\" rel=\"noopener\">\u201cGhost Deini\u201d<\/a> and <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=D2m6Ghnxf8I\" rel=\"noopener\">\u201cApollo Kids\u201d<\/a> were ring-entrances, as a robed Ghost\u2019 welcomed all challengers, lyrically and in the streets. As the sound of commercially-viable Rap had embraced fabric softener, messages like <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=SgUKU_qs4kE\" rel=\"noopener\">\u201cStay True\u201d<\/a> and <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=bMxXmVVR4wE\" rel=\"noopener\">\u201cBuck 50\u201d<\/a> bloodied the gums of smile-at-the-camera posers. As the Rap playlist favored overt-samples, Pop-tinged choruses, and lots of R&amp;B, Tony Starks\u2019 penchant for the unconventional resonated brilliantly. Even playing by the rules of the game, a record like <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=eIdPfbwNV3w\" rel=\"noopener\">\u201cCherchez La Ghost\u201d<\/a> did so on rugged Shaolin terms\u2014announcing that he\u2019s too nasty for females, and no third verse at all. Like with <em>Ironman<\/em>, G.F.K. and his producers found a way to carefully inject 1980s Hip-Hop qualities. Although the mix and mastering of <em>Supreme Clientele <\/em>felt worthy of the Sony Records jacket, the would-be gold LP had the quality of a four-track recorder, and 12-second sampler. Dennis Coles stepped into the new millennium with grand visions of creativity, imagery, and coded slang, but he brought with him elements from his childhood that he refused to let go. More importantly, the LP\u2019s lyrics are a step beyond the criminology heard on the debut. Largely inspired by a trip to Africa taken by Ghost\u2019 and RZA, the album deals greatly with knowledge of self, heritage, and pride. Although G.F.K. was still menacing on the mic and in his details, the Gangsta Rap feel of the debut gave way to a more abstract texture. <em>Supreme Clientele <\/em>is the album that would catapult Ghostface Killah\u2019s persona, and style through the next 20-plus years.\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/wu-tang-clans-enter-the-wu-tang-36-chambers-vs-a-tribe-called-quests-the-low-end-theory-which-is-better\/\" rel=\"noopener\">#10<\/a> \u2013 A Tribe Called Quest \u2013 <em>The Low End Theory<\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/wu-tang-clans-enter-the-wu-tang-36-chambers-vs-a-tribe-called-quests-the-low-end-theory-which-is-better\/\" rel=\"noopener\">Lost to Wu-Tang Clan\u2019s <em>Enter The Wu-Tang (36 Chambers)<\/em>, 39% to 61%)<\/a>\n<\/p>\n<p>While 1990\u2019s <em><a target=\"_blank\" href=\"https:\/\/itunes.apple.com\/us\/album\/peoples-instinctive-travels\/id278910549\" rel=\"noopener\">People\u2019s Instinctive Travels &amp; Paths Of Rhythm<\/a> <\/em>is a stellar album, A Tribe Called Quest hit their stride on 1991\u2019s <em>The Low End Theory<\/em>. The Jazz-inspired LP would pocket a sound that A.T.C.Q. (now a trio, less Jarobi and with a significantly increased role for Phife) completely brewed up themselves\u2014big on samples, wisdom, and an overall feel that melted just like <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=QB9PiW68yQg\" rel=\"noopener\">\u201cButter.\u201d<\/a> The strong qualities of the group\u2019s debut dispersed into beautiful arrangements, both vocal and musical\u2014as heard immediately in single <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=BQT2DfzpCLA\" rel=\"noopener\">\u201cCheck The Rhime.\u201d<\/a> With one of the many featured Tip-and-Phife routines at center, the group casually waxed their history into a game-changing horn, bass, and drum concoction. That bass would be a defining feature of <em>The Low End Theory<\/em>\u2014but not in the same way of the group\u2019s Rap peers. With the acclaimed Ron Carter involved with the album, songs like <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=cxN4nKk2cfk\" rel=\"noopener\">\u201cBuggin\u2019 Out,\u201d<\/a> <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=mWiKlij_D90\" rel=\"noopener\">\u201cSkypager,\u201d<\/a> and <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=cxN4nKk2cfk\" rel=\"noopener\">\u201cJazz (We\u2019ve Got)\u201d<\/a> were as inspired by <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=IWOvT45Du-s\" rel=\"noopener\">Charles Mingus<\/a> as they were <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2014\/05\/afrika-bambaataa-the-soulsonic-forces-producers-are-forever-looking-for-the-perfect-video\/\" rel=\"noopener\">Afrika Bambaataa<\/a>. However, in an era where many Hip-Hop acts were drawing on the glory days of Jazz, Quest was intent on never softening or stylizing their rhyme style. Album closer <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=YXveP7juqko\" rel=\"noopener\">\u201cScenario\u201d<\/a> may be the group\u2019s most aggressive mic display, with Phife aiming for the eyes, quite literally. For a group who would record together for less than a decade, <em>The Low End Theory<\/em> is a burden of proof as to why Tribe may be Hip-Hop\u2019s greatest. This album is almost entirely self-contained, in terms of production, and lyrics. There are guests, but Phife, Ali Shaheed Muhammad, and The Abstract found their synergy on this effort. This album demonstrated how A.T.C.Q. could organically shape Hip-Hop, seemingly in their own vacuum. <em>The Low End Theory<\/em> is high-brow music, and a hallmark effort that so many artists dream of replicating in their own catalogs.\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/eric-b-rakims-paid-in-full-vs-outkasts-aquemini-which-is-better\/\" rel=\"noopener\">#9<\/a> \u2013 OutKast \u2013 <em>Aquemini<\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/eric-b-rakims-paid-in-full-vs-outkasts-aquemini-which-is-better\/\" rel=\"noopener\">Lost to Eric B. &amp; Rakim\u2019s <em>Paid In Full<\/em>, 45% to 55%)<\/a>\n<\/p>\n<p>For a group that had helped make the South a destination for lyric-seekers in the 1990s, Big Boi and Andre 3000 appeared to be marginalized from the emerging mainstream movements of No Limit, So So Def, and Cash Money. However, with\u00a0<em><span data-preserver-spaces=\"true\">Aquemini<\/span><\/em><span data-preserver-spaces=\"true\">, they sought little outside support\u2014especially from those \u201cface down in the mainstream.\u201d Instead, the pair kept the circle tight and welcomed a bevy of session players into the Bobby Brown\u2019s Bosstown Studios\u2014which during the LP would become their privately-owned Stankonia. Upon exiting the lab, Outkast had another galactic gestalt of message-Funk stuffed with rhythms and flows that could not be replicated.\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=drsQLEU0N1Y\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cRosa Parks\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0took the Civil Rights Movement\u2019s inciting incident and illustrated how \u201cthe back of the bus\u201d was actually where those in power wished to be. The fast-paced single broke from the a la carte offerings of the previous two albums but maintained the confident, socially-applicable premise and brilliant Rap commentary. Follow-up single (and next track on the album)\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=2XU2o8p-Ixo\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cSkew It On The Bar-B\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0welcomed Wu-Tang Clan\u2019s Raekwon for an effort that made a Dominique Wilkins-era dunk contest out of flow and cadence. At a time when Rap albums were seemingly seeking judgment based on video singles alone,\u00a0<\/span><em><span data-preserver-spaces=\"true\">Aquemini<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0demanded to be looked at as a total sum of its parts. Deep cuts like\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=vXmqauitBkM\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cSpottieOttieDopaliscious\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0stretched a brassy groove with razor-sharp rhymes about reality and lifestyle shifts. On the album closer,\u00a0<\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=MaYa1bSCg_A\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u201cChonky Fire,\u201d<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0guitars charged a sinister Stankonia seance\u2014complete with an effortlessly human chorus to match the message. In Outkast\u2019s final effort with Organized Noize and Mr. DJ taking on heavy production duties,\u00a0<\/span><em><span data-preserver-spaces=\"true\">Aquemini\u00a0<\/span><\/em><span data-preserver-spaces=\"true\">may be the group\u2019s best marriage of rhymes and beats. Big Boi was a lyrical Barry Sanders, bolting up the field with his nimble flow and trademark cadence. Andre 3000 demonstrated a stick-and-moved with imagery, wisdom, and lines that prove to be Rap-relevant 20-plus years later.<br \/><\/span>\n<\/p>\n<div><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/dr-dres-the-chronic-vs-the-notorious-b-i-g-s-ready-to-die-which-is-better\/\" rel=\"noopener\">#8<\/a> \u2013 Dr. Dre \u2013 <em>The Chronic<\/em> <\/strong><\/div>\n<div>\n<p>When Dr. Dre left N.W.A. and Ruthless Records, the greatest material asset the Compton, California impresario may have had was musical sketches. Having hit his stride on <em><a target=\"_blank\" href=\"https:\/\/itunes.apple.com\/us\/album\/efil4zaggin\/id1005221226\" rel=\"noopener\">N*ggaz4Life<\/a><\/em> and <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2015\/10\/the-d-o-c-s-no-one-can-do-it-better-vs-ice-ts-rhyme-pays-which-is-better\/\" rel=\"noopener\">The D.O.C.\u2019s <em>No One Can Do It Better<\/em><\/a>, Andre Young built upon his G-Funk foundation, with an album that <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=zEfIkuTtzQ4\" rel=\"noopener\">beckoned the galactic chariots of Parliament-Funkadelic themselves<\/a>. While <em>The Chronic<\/em>\u00a0<a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=BoeStB36dic\" rel=\"noopener\">paid homage to the \u201970s<\/a>, its rhymes were rooted in the grim reality of L.A. Riots-era South Central. Songs like <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=05LMDpvxRWc\" rel=\"noopener\">\u201cLyrical Gangbang\u201d<\/a> weighed the messages and attitudes of young, disenfranchised Black men and women in the U.S., and wanted Middle America to feel the angst, the high stakes survival, and the fearlessness of the youth. Snoop Doggy Dogg would be Dre\u2019s vehicle to pack one of Rap\u2019s most laid-back flows (and attitudes) against the life or death realities of gang-infested Southern California. <em>The Chronic<\/em> was one of Rap\u2019s first broad ensembles. Not a group, but <em>a movement<\/em>, the album called upon a crop of unknown and emerging talent from both coasts, all with skills to prove, and their best work ahead of them. Like <em><a target=\"_blank\" href=\"https:\/\/itunes.apple.com\/us\/album\/enter-wu-tang-36-chambers\/id269842381\" rel=\"noopener\">Enter The Wu-Tang<\/a><\/em> one year later, personnel knew that anything less than the best would not make the album. The hunger pangs of a cast that included Death Row Records\u2019 would-be stars were manifested in an album that made its mastermind appear to be something of a Gangsta Rap <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=LRmRBrnQq8o\" rel=\"noopener\">Phil Spector<\/a>. Dre created dynamic soundscapes built around samples, instrumentation, and a multitude of the slightest of tweaks. Within, he waxed a narrative that effectively spat at his former band mate Eazy-E, strong-armed Luke and 2 Live Crew, and overtook the industry with a forceful comeback statement. His LP was a cohesive, deeply-authentic party, and with its cinematic visual aides. <em>The Chronic<\/em> had everybody catching a contact\u2014as this album\u2019s wide tracks, extensive melody, and sharp-shooting role-players set the new standard in Hip-Hop. Although it\u2019s surprisingly only triple-platinum, <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=KDTXljIqxRE\" rel=\"noopener\">the diamond (status) is in the back<\/a> of Dre\u2019s symbolic \u201964 Impala.\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/nas-illmatic-vs-raekwons-only-built-4-cuban-linx-which-is-better\/\" rel=\"noopener\">#7<\/a> \u2013 Raekwon \u2013 <em>Only Built 4 Cuban Linx\u2026<\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/nas-illmatic-vs-raekwons-only-built-4-cuban-linx-which-is-better\/\" rel=\"noopener\">Lost to Nas\u2019 <em>Illmatic<\/em>, 28% to 72%<\/a>)\n<\/p>\n<p>Staten Island\u2019s Chef and co-star Ghostface Killah showed the underbelly of the Shaolin crew in a linear effort about hustling, surviving shootouts, and backing down impostors on the block. \u201cThe Purple Tape\u201d as it is affectionately remembered, is pure cinema. With John Woo\u2019s <em><a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=MqSGBVA3n_Q\" rel=\"noopener\">Killer<\/a><\/em> and <em><a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=arRdMvrjwEI\" rel=\"noopener\">Scarface<\/a> <\/em>excerpts throughout, Chef Rae brought narrative Rap albums to a boiling point. With the Clansmen in the wings\u2014using their Wu-Gambino aliases, this LP drew a clear line for how the parts of the Clan body operated outside of their sums. For Rae\u2019 and Ghost\u2019 it was straight <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=9yUk683Sl3U\" rel=\"noopener\">\u201cCriminology.\u201d<\/a> The two MCs spit it in a way that could not be held up in a court of law, but violated so many Rap conventions. Raekwon\u2019s writing style was impressionistic. The MC gave listeners the benefit of the doubt of putting the puzzles together\u2014making it an active experience. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=kO0hx1HQqZg\" rel=\"noopener\">\u201cGlaciers Of Ice\u201d<\/a> melted the brain, with a fast-paced flow, and an inventive world. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=W1NGxru85OU\" rel=\"noopener\">\u201cKnowledge God\u201d<\/a> took (album guest) <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=hxce_qvhi5I\" rel=\"noopener\">Nas\u2019 \u201cOne Love\u201d <\/a>concept, and rewrote it in a way that the guards could not understand. Corey Woods waxed tales of heists, cocaine abusers, and the five boroughs that Times Square tourists never knew existed. For such an innovative lyrical style, RZA complemented accordingly. <em>OB4CL\u2019<\/em>s sound is quirky, whimsical, and completely original. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=9pRHZm8LPZQ\" rel=\"noopener\">\u201cIncarcerated Scarfaces\u201d<\/a> is as raw of a RZA drum arrangement as ever, with The Abbott laying down a Jazz-informed line, with light accents that made Rae\u2019s essay 100% touchable. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=jgh10of6DKA\" rel=\"noopener\">\u201cIce Cream\u201d<\/a> was a planetary lifted loop that captured the essence of late \u201990s Hip-Hop a handful of years before others reached the frontier. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=IGlJeDmq50Q\" rel=\"noopener\">\u201cRainy Dayz\u201d<\/a> had that same feel, as RZA\u2019s reportedly shut-in Staten studio year led to weed-scented, eerie loops that scored the verbal grindhouse flick from Shallah and G.F.K. This marriage of tone and luster made The Purple Tape a complete experience.\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/eric-b-rakims-paid-in-full-vs-wu-tang-clans-enter-the-wu-tang-36-chambers-which-is-better\/\" rel=\"noopener\">#6<\/a> \u2013 Eric B. &amp; Rakim \u2013 <em>Paid In Full<\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/eric-b-rakims-paid-in-full-vs-wu-tang-clans-enter-the-wu-tang-36-chambers-which-is-better\/\" rel=\"noopener\">Lost to Wu-Tang Clan\u2019s <em>Enter The Wu-Tang (36 Chambers)<\/em>, 25% to 75%<\/a>)\n<\/p>\n<p>In mid-1987, Eric B. &amp; Rakim changed the Hip-Hop landscape seismically through their <em>Paid In Full<\/em> debut. In an era when single syllabic rhymes in 4-4 time were still commonplace, Rakim stepped forth with a complex, but seemingly effortless flow. The Long Island, New York MC took on topics from his DJ, to his financial status, to his skyrocketing career, and made instant-certified dope. Calm and seemingly unaffected, Rakim was an entirely different MC than <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2015\/09\/run-d-m-c-s-raising-hell-vs-dj-jazzy-jeff-the-fresh-princes-rock-the-house-whats-better\/\" rel=\"noopener\">Run-D.M.C<\/a>, <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2015\/09\/boogie-down-productions-criminal-minded-vs-public-enemys-yo-bum-rush-the-show-which-is-better\/\" rel=\"noopener\">Boogie Down Productions<\/a>, or <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2015\/09\/ll-cool-js-radio-vs-kurtis-blows-ego-trip-which-is-better\/\" rel=\"noopener\">LL Cool J<\/a>. However, he packed the same A-level of confidence. Meanwhile, DJ Eric B. (with reported help from Ra\u2019 and Marley Marl) laced an album that took \u201960s and \u201970s records and seamlessly wove them against Rakim\u2019s rhymes. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=JnNkaO1EMyQ\" rel=\"noopener\">\u201cI Know You Got You Soul\u201d<\/a> pipe-lined the excitement of James Brown into the late \u201980s, with a raw freshness. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=2TN-kDEKxF0\" rel=\"noopener\">\u201cI Ain\u2019t No Joke\u201d<\/a> combined hard, panned drums with horn riffs\u2014bridged together with scratching. Although the duo was using emerging technology, their organic rawness made the universe their studio. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=E7t8eoA_1jQ\" rel=\"noopener\">\u201cPaid In Full\u201d<\/a> used drums as effectively as any song in its day, while Rakim took listeners on a journey, accented by effects under Eric. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=xV1WspIehvU\" rel=\"noopener\">\u201cMy Melody\u201d<\/a> relied on synth-and-scratch in a way that bridged the gap between Hip-Hop, Pop, and New Wave. An eventual platinum album, this 10-track effort was a capsule of soulful Hip-Hop for 1987. Moreover, this LP all but closed the book on new MCs using simple rhymes and metronome flows. Rakim instantly threw his hat in the ring among the best. \u201cEric is president,\u201d but Ra\u2019 quickly stood tall as crowd commander-in-chief.\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/public-enemys-it-takes-a-nation-of-millions-to-hold-us-back-vs-a-tribe-called-quests-midnight-marauders-which-is-better\/\" rel=\"noopener\">#5<\/a> \u2013 Public Enemy \u2013 <em>It Takes A Nation Of Millions To Hold Us Back<\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/public-enemys-it-takes-a-nation-of-millions-to-hold-us-back-vs-a-tribe-called-quests-midnight-marauders-which-is-better\/\" rel=\"noopener\">Lost to A Tribe Called Quest\u2019s <em>Midnight Marauders<\/em>, 36% to 64%<\/a>)\n<\/p>\n<p>Public Enemy\u2019s sophomore album is an intersection of substance and style at the highest possible level. A year-and-a-half removed from their stellar debut, <em><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2015\/09\/boogie-down-productions-criminal-minded-vs-public-enemys-yo-bum-rush-the-show-which-is-better\/\" rel=\"noopener\">Yo! Bum Rush The Show<\/a><\/em>, Chuck D, Flavor Flav, Terminator X, and Professor Griff raised the stakes through an audio explosion. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=l_Jeyif7bB4\" rel=\"noopener\">\u201cBring The Noise\u201d <\/a>ushered in the album\u2019s barrage of hard-hitting lyrics. They outed inequalities, decried sample critics, stripped the glamour off drug use, and put a militia behind the movement. Chuck D found his greatest stride, not rapping as much as rhythmically proclaiming powerful verses into MC scripture. Flav played the consummate supporter, taking the role of hype-man to the top of class. Terminator X\u2019s (and Johnny Juice\u2019s) skills made the turntable more akin to the hard rock guitar, in its dazzling, head-banging display. Although <em>It Takes A Nation\u2026<\/em> yielded monumental singles in <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=djuc0kg97yo\" rel=\"noopener\">\u201cRebel Without A Pause\u201d<\/a> and <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=9vQaVIoEjOM\" rel=\"noopener\">\u201cDon\u2019t Believe The Hype,\u201d<\/a> it contains few\u2014<em>if any\u2014<\/em>weak links. The album cut almost does not exist in the case of this Def Jam sophomore. Songs like <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=N8EyAKh-XWQ\" rel=\"noopener\">\u201cLouder Than A Bomb\u201d<\/a> and <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=LVaw-uNx1K4\" rel=\"noopener\">\u201cProphets Of Rage\u201d<\/a> resonate through the times, alongside the hits. P.E. made one of Rap\u2019s premier end-to-end discs. With the issue-focused Chuck D, The Bomb Squad elevated their own craft. The stacked samples of <em>Yo! Bum Rush The Show<\/em> were intensified on the follow-up. Elements were sliced and chopped extra thin, with careful additions to the whole song. The lyrics of this album were heavy lifting for the mind, just as its sonic backbone was a workout for the ears. The raw energy of Heavy Metal was translated to Hip-Hop. Chuck\u2019s <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=uGHsxMqpL0c\" rel=\"noopener\">Anthrax<\/a> shout-out was not only telling, but a perfect explanation of the kind of energy and attitude that P.E. shared. While Public Enemy dismissed the Grammy snubs, they demonstrated the possibilities of the Hip-Hop album. Just minutes under an hour, <em>It Takes A Nation Of Millions To Hold Us Back<\/em> was social empowerment, and at times, propaganda.\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/the-notorious-b-i-g-s-ready-to-die-vs-wu-tang-clans-enter-the-wu-tang-36-chambers-which-is-better\/\" rel=\"noopener\">#4<\/a> \u2013 The Notorious B.I.G. \u2013 <em>Ready To Die<\/em> <\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/03\/the-notorious-b-i-g-s-ready-to-die-vs-wu-tang-clans-enter-the-wu-tang-36-chambers-which-is-better\/\" rel=\"noopener\">Lost to Wu-Tang Clan\u2019s <em>Enter The Wu-Tang (36 Chambers)<\/em>, 33% to 67%<\/a>)\n<\/p>\n<p>When <em>Ready To Die<\/em> released in 1994, Biggie Smalls (officially known as The Notorious B.I.G.) was not a star. As he would rhyme on <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=0Ogs_NsXh58\" rel=\"noopener\">\u201cOne More Chance,\u201d<\/a> \u201c<em>Heartthrob, never \/ Black, and ugly as ever<\/em>\u201d is how the obese Brooklyn, New York MC described himself. However, the deeply anticipated Bad Boy Records debut had those in the know clamoring to hear a full work from the rapper who had dazzled in a handful of <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=QA4DG804VuI\" rel=\"noopener\">preemptive appearances<\/a>. Christopher Wallace\u2019s wordplay, impeccable timing, humor, booming voice, and self-deprecation stood out from the pack to the fullest. Upon releasing <em>Ready To Die<\/em>, he proved immediately that he had a story to tell. The Notorious B.I.G. never self aggrandized his album as a \u201cconcept,\u201d it was simply his reality. Give or take a few facts bent a bit, and Biggie Smalls\u2019 breakthrough effort reminded the world that Hip-Hop was <em>for the people, by the people<\/em>\u2014so why not crown somebody who all seemingly related to? <em>Ready To Die<\/em> dealt with it all. The album presents Biggie from his days as a teased youth finding solace in Hip-Hop, to a deranged stick-up kid and corner hustler, eventually becoming a man who adored his mother and his daughter. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=_JZom_gVfuw\" rel=\"noopener\">\u201cJuicy\u201d<\/a> fast became Hip-Hop\u2019s rags-to-riches anthem, a meritocratic hope story for everybody with a dream. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=R9SmByGK0hs\" rel=\"noopener\">\u201cUnbelievable\u201d<\/a> fused Biggie\u2019s wit and syncopated delivery with DJ Premier\u2019s pinnacle sound. The rhythms of each were completely in step, making hardcore Hip-Hop a true work of music mastery. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=d8H5jTdFNx8\" rel=\"noopener\">\u201cReady To Die\u201d<\/a> and <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=-6ChkExqv2E\" rel=\"noopener\">\u201cSuicidal Thoughts\u201d<\/a> opened Biggie\u2019s mind and vulnerability to a level that guarded MCs wouldn\u2019t dare go. However, as Biggie transported the listener away to hustling trips down south, he could also open up the newfound glamor. Songs like <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=phaJXp_zMYM\" rel=\"noopener\">\u201cBig Poppa\u201d<\/a> could shape pop culture, and somehow hit their mark after the album released. This LP had both range and direction, and not only cemented Biggie\u2019s royal Rap status as a rookie, it set the genre\u2019s standard for the notion that a debut album should take your whole life to write. <em>Ready To Die<\/em> appeases Rap purists, story seekers, and those simply looking for a compelling listen. B.I.G. entered 1994 as a quick-witted freestyle specialist with a boisterously percussive delivery. He would leave the year as a Rap poet laureate, unafraid to put a coast, a street-rooted narrative, or an entire craft on his sturdy back. In many, many ways, <em>Ready To Die<\/em> showed Rap albums how to live in the years ahead.\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/04\/nas-illmatic-vs-a-tribe-called-quests-midnight-marauders-which-is-better\/\" rel=\"noopener\">#3<\/a> \u2013 A Tribe Called Quest \u2013 <em>Midnight Marauders <\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/04\/nas-illmatic-vs-a-tribe-called-quests-midnight-marauders-which-is-better\/\" rel=\"noopener\">Lost to Nas\u2019 <em>Illmatic<\/em>, 33% to 67%<\/a>)\n<\/p>\n<p>By 1993, Hip-Hop groups were hyper-aware of their legacy, as they challenged the laws of gravity. Coming out of the 1980s, few groups beyond <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2015\/10\/finding-the-goat-album-run-d-m-c-s-raising-hell-vs-whodinis-escape-which-one-is-better\/\" rel=\"noopener\">Run-D.M.C.<\/a> and <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2015\/10\/de-la-souls-3-feet-high-and-rising-vs-beastie-boys-pauls-boutique-which-is-better\/\" rel=\"noopener\">De La Soul<\/a> proved to be capable of three great albums in their catalog. And even those were not without arguments. A Tribe Called Quest, who broke in during 1990, weighed their winning streak entering <em>Midnight Marauders<\/em>, and won tenfold. The Jazz elements and breezy narratives of <em>The Low End Theory <\/em>continued, as Tribe remained ahead of the curve. <em>Midnight Marauders<\/em> demonstrated growth for Q-Tip, Phife Dawg, and Ali Shaheed Muhammad. However, in expanding, the Native Tongues found the spotlight\u2014in their transformative first Top 10 album. Single <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=WHRnvjCkTsw\" rel=\"noopener\">\u201cElectric Relaxation\u201d<\/a> beautifully merged Jazz and Electronic sources, for the perfect seduction. Cleverly sliced melodies drove the album, with groovy cuts like <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=OIah18jcJko\" rel=\"noopener\">\u201cOh My God,\u201d<\/a> <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=YiAHpxg3Isg\" rel=\"noopener\">\u201cLyrics To Go,\u201d<\/a> and <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=h5bYHLo5ae8\" rel=\"noopener\">\u201cWe Can Get Down.\u201d<\/a> At a time when Jazz-Rap was a common theme on both coasts, A.T.C.Q. traveled to the next dimension and left no road map. The album featured smart, compelling lyrics that were far from preachy or taking themselves too seriously. Bars alluded to race relations, a changing New York City, and pressures of the Rap game, but songs seemingly didn\u2019t. This LP was a casual, cohesive listen\u2014which made it deeply accessible to the non-Rap consumer. The Abstract\u2019s musings, Phife\u2019s whimsicality, and Ali\u2019s finest scratch clinic made A Tribe Called Quest one of the most consistent Hip-Hop acts of the first half of the 1990s. As the clock struck twelve, <em>Midnight Marauders<\/em> may be Tribe\u2019s finest hour.\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/04\/the-final-battle-nas-illmatic-vs-wu-tang-clans-enter-the-wu-tang-36-chambers-which-is-better\/\" rel=\"noopener\">#2<\/a> \u2013 Wu-Tang Clan \u2013 <em>Enter The Wu-Tang (36 Chambers)<\/em><\/strong>\n<\/p>\n<p>(<a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/04\/the-final-battle-nas-illmatic-vs-wu-tang-clans-enter-the-wu-tang-36-chambers-which-is-better\/\" rel=\"noopener\">Lost to Nas\u2019 <em>Illmatic<\/em>, 44.5 to 55.5%<\/a>)\n<\/p>\n<p>In late 1993, Wu-Tang Clan bum-rushed the show when they brought their own menacing cacophonous raucous. <em><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2013\/11\/remembering-wu-tang-clans-enter-the-wu-tang-36-chambers-20-years-later-food-for-thought\/\" rel=\"noopener\">Enter The Wu-Tang<\/a><\/em> is a tour de force of rugged raps, filthy beats, and a style that made Hip-Hop\u2019s elite get out of the way, handing over the mic. RZA, GZA, Raekwon, Inspectah Deck, Ghostface Killah, U-God, Masta Killa, Method Man, and Ol\u2019 Dirty Bastard were against the odds when they brought nine bodies to a Loud\/RCA Records-backed album, and made all seem as organized as a rank-and-file military branch. With every MC offering something different, each vocalist distinguished himself with skill, vocal tone, and flow. Although they had their own internal dynamics, the Wu brought an unrivaled sense of family pride to outsiders. Songs like smash single <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=PBwAxmrE194\" rel=\"noopener\">\u201cC.R.E.A.M.\u201d<\/a> and follow-up <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=7m148vZDwJA\" rel=\"noopener\">\u201cCan It All Be Simple\u201d<\/a> proved that the common theme of hardships made this unit a pack of hungry wolves who resented aristocratic peers. Save for GZA and RZA, all the MCs were burgeoning to wax since 1992\u2019s <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=R0IUR4gkPIE\" rel=\"noopener\">\u201cProtect Ya Neck.\u201d<\/a> However, from O.D.B.\u2019s <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=Wf3jzDb4H7o\" rel=\"noopener\">\u201cShame On A N*gga\u201d<\/a> timing, to the <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=PEnwXYJcSZc\" rel=\"noopener\">\u201cMethod Man\u201d<\/a> routine all presented styles that felt like they were bottled in 1988, but fermenting, and getting all the more intoxicating while waiting for their chance. On one hand, Wu-Tang was futuristic in their dismissal of conventions. On the other, this was a head-trip back to the days of the late \u201980s underground\u2014battling in a smoke-filled subway car. In addition to delivering the most lucid, razor-sharp verses of his career, RZA made an album that sounded electric, alive, and dangerous. Break-beat arrangements on songs like <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=HnOZea4Zgbc\" rel=\"noopener\">\u201cWu-Tang Clan Ain\u2019t Nuthing Ta F\u2019 Wit\u201d <\/a>and <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=SMDGsxSEbOE\" rel=\"noopener\">\u201cWu-Tang: 7th Chamber \u2013 Part II\u201d<\/a> were accentuated with organs, special effects, and muted horns. Robert Diggs laced his jagged basslines with audio angel dust. With its rough texture, the album is incredibly cohesive, making skipping implausible if not impossible. <em>Enter The Wu-Tang<\/em> captivated Hip-Hop. It restored the comparative nature of over-stuffed Rap crews. It made every minute of an album feel precious internally and externally. The LP also made the Hip-Hop act feel like a militia, an outlaw posse, or a flash mob of witty, unpredictable voices with natural game. This LP not only served its nine creators with plush careers that followed, it made the industry take closer notice of what was really going on in the streets.\n<\/p>\n<p><strong><a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2016\/04\/the-final-battle-nas-illmatic-vs-wu-tang-clans-enter-the-wu-tang-36-chambers-which-is-better\/\" rel=\"noopener\">#1<\/a> \u2013 Nas \u2013 <em>Illmatic<\/em><\/strong>\n<\/p>\n<p>In only 10 tracks, Nas mounted a masterpiece in his early 1994 debut. The rugged-yet-introspective 20-year old from the Queensbridge Houses had been plugging away at his debut for nearly three years, constantly refining while studying the masters such as Rakim and Kool G Rap. A raspy-voiced, rhythmic MC, Nas also had esteemed sonic assistance from the likes of mentor Large Professor, DJ Premier, Q-Tip, and Pete Rock. With less than 40 minutes of album time, <em>Illmatic <\/em>was born into the universe as a great showing of early \u201990s street New York imagery, an actualized Rap dream, and glimmering moments of the culture\u2019s newest microphone prophet. Nasir Jones was clearly a vessel for the late \u201980s-early \u201990s\u2019 promise, and an ensemble of greats gave this Columbia Records LP their all to ensure that he would be the next great one. <em>Illmatic<\/em> delivers on many levels, despite its relatively small confines. Songs like <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=dogqDbcbVo0\" rel=\"noopener\">\u201cHalftime,\u201d<\/a> <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=7qOvGyyAmpA\" rel=\"noopener\">\u201cRepresent,\u201d <\/a>and <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=UKjj4hk0pV4\" rel=\"noopener\">\u201cNY State Of Mind\u201d<\/a> are rugged extensions of <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=Mppf1xhSh6E\" rel=\"noopener\">the Nas heard<\/a> on Main Source\u2019s <em><a target=\"_blank\" href=\"https:\/\/itunes.apple.com\/us\/album\/breaking-atoms\/id712042606\" rel=\"noopener\">Breaking Atoms<\/a><\/em>, but as his own band-leader. These are the raw Rap tracks where an MC matched his impeccable timing with evocative wordplay about the cruel world as he saw it. <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=HEwSfbE9IXc\" rel=\"noopener\">\u201cLife\u2019s A B*tch\u201d<\/a> would prove how Nas could speak to the minds and attitudes of his people, with greater things to say on simple subjects than most. Quickly, the young man from the 41st Side stood as an ambassador for not just himself, but a culture and a generation. This was also true in the mainstream-tinged <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=3hOZaTGnHU4\" rel=\"noopener\">\u201cIt Ain\u2019t Hard To Tell.\u201d<\/a> With <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=kql0ld02SS4\" rel=\"noopener\">a Michael Jackson sample<\/a>, and Extra P\u2019s surgeon-like arrangements, Nas found a hook to put his ill vernacular in a song that could cross over and grab new ears. Like Snoop Dogg across the country, Nas was at the forefront of his ability to bring an entire village to an album. Whether it was the slain Ill Will, the incarcerated Cormega, or kid brother Jungle, Nas made his project world into a diorama\u2014between the compelling flows and mosaic beats. This was not just Hip-Hop, it was street reporting, and a return to undeniable authenticity when MTV music video era Rap was clearly favoring the sensationalized.\n<\/p>\n<p><em>AFH<\/em> readers can catch regular discussions about the culture on our <a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/anchor.fm\/whats-the-headline\" rel=\"noopener\"><em><span data-preserver-spaces=\"true\">What\u2019s The Headline<\/span><\/em><\/a><span data-preserver-spaces=\"true\">. The podcast also has interviews with <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2021\/11\/joell-ortiz-top-5-brooklyn-rappers\/\" rel=\"noopener\">Joell Ortiz<\/a>, <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2021\/10\/az-influential-rappers-interview\/\" rel=\"noopener\">AZ<\/a>, <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2021\/08\/mickey-factz-royce-5-9-wraith-breakdown-interview\/\" rel=\"noopener\">Blu &amp; Mickey Factz<\/a>, <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=4vb7HCqG2xE&amp;t=1723s\" rel=\"noopener\">Kurupt<\/a>, <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2021\/06\/evidence-solo-music-dilated-peoples-video\/\" rel=\"noopener\">Evidence<\/a>, <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2021\/06\/skyzoo-phonte-retirement\/\" rel=\"noopener\">Skyzoo<\/a>, <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2021\/02\/pharoahe-monch-th1rt3en-meaning-magnificent-album\/\" rel=\"noopener\">Pharoahe Monch<\/a>, <\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=p27kIQmJynI&amp;t=11s\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Prince Paul &amp; Don Newkirk<\/span><\/a><span data-preserver-spaces=\"true\">, <\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/ambrosiaforheads.com\/2020\/12\/statik-selektah-protect-hip-hop\/\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Statik Selektah<\/span><\/a><span data-preserver-spaces=\"true\">, <\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=NCEBmRNyQIw\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Lyric Jones<\/span><\/a><span data-preserver-spaces=\"true\">, <\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=fp9fiR674nk&amp;t=39s\" rel=\"noopener\"><span data-preserver-spaces=\"true\">The LOX<\/span><\/a><span data-preserver-spaces=\"true\">, <\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=-h_V_CxX2HA\" rel=\"noopener\"><span data-preserver-spaces=\"true\">MC Eiht<\/span><\/a><span data-preserver-spaces=\"true\">, <\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=gJbuNGf6zZA\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Havoc<\/span><\/a><span data-preserver-spaces=\"true\">, <\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=JkHP-mjwoKk\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Duckwrth<\/span><\/a><span data-preserver-spaces=\"true\">, <a target=\"_blank\" href=\"https:\/\/ambrosiaforheads.com\/2021\/03\/t-dot-eric-source-awards-photograph-tupac-biggie\/\" rel=\"noopener\">photographer T. Eric Monroe<\/a>, and <\/span><a target=\"_blank\" class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=rBfYMEGQ62I\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Lord Finesse<\/span><\/a><span data-preserver-spaces=\"true\">. <\/span>\n<\/p>\n<p>All episodes of the show <span data-preserver-spaces=\"true\">are <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/channel\/UCuk9naTtO9Ad_im555H871w\" rel=\"noopener\">available to view<\/a> or <a target=\"_blank\" href=\"https:\/\/anchor.fm\/whats-the-headline\" rel=\"noopener\">for listening wherever you stream your pods<\/a><\/span><span data-preserver-spaces=\"true\">.<\/span>\n<\/p>\n<\/div><\/div>\n<p><script type=\"text\/javascript\" >(function() {\n      var _fbq = window._fbq || (window._fbq = []);\n      if (!_fbq.loaded) {\n        var fbds = document.createElement('script');\n        fbds.async = true;\n        fbds.src=\"https:\/\/connect.facebook.net\/en_US\/fbds.js\";\n        var s = document.getElementsByTagName('script')[0];\n        s.parentNode.insertBefore(fbds, s);\n        _fbq.loaded = true;\n      }\n      _fbq.push(['addPixelId', '1524742197780495']);\n    })();\n    window._fbq = window._fbq || [];\n    window._fbq.push(['track', 'PixelInitialized', {}]);\n    <\/script><script type=\"text\/javascript\" >(function(d, s, id) {\n      var js, fjs = d.getElementsByTagName(s)[0];\n      if (d.getElementById(id)) return;\n      js = d.createElement(s); js.id = id;\n      js.src = \"https:\/\/connect.facebook.net\/en_US\/sdk.js#xfbml=1&version=v2.5\";\n      fjs.parentNode.insertBefore(js, fjs);\n    }(document, 'script', 'facebook-jssdk'));<\/script><script type=\"text\/javascript\">(function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(d.getElementById(id)){return}js=d.createElement(s);js.id=id;js.src=\"https:\/\/connect.facebook.net\/en_US\/all.js\";fjs.parentNode.insertBefore(js,fjs)}(document,\"script\",\"facebook-jssdk\"));<\/script><br \/>\n<br \/>[ad_2]<br \/>\n<br \/><a href=\"https:\/\/ambrosiaforheads.com\/2022\/06\/top-20-rap-hiphop-albums-all-time\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ad_1] Earlier this month, the Hip-Hop community reacted to the latest high-profile lists ranking the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":33118,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-33117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theory"],"_links":{"self":[{"href":"https:\/\/cjstudents.com\/index.php\/wp-json\/wp\/v2\/posts\/33117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cjstudents.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cjstudents.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cjstudents.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cjstudents.com\/index.php\/wp-json\/wp\/v2\/comments?post=33117"}],"version-history":[{"count":1,"href":"https:\/\/cjstudents.com\/index.php\/wp-json\/wp\/v2\/posts\/33117\/revisions"}],"predecessor-version":[{"id":33119,"href":"https:\/\/cjstudents.com\/index.php\/wp-json\/wp\/v2\/posts\/33117\/revisions\/33119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cjstudents.com\/index.php\/wp-json\/wp\/v2\/media\/33118"}],"wp:attachment":[{"href":"https:\/\/cjstudents.com\/index.php\/wp-json\/wp\/v2\/media?parent=33117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cjstudents.com\/index.php\/wp-json\/wp\/v2\/categories?post=33117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cjstudents.com\/index.php\/wp-json\/wp\/v2\/tags?post=33117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}